brutereason:

“Allyship is not supposed to look like this, folks. It’s not supposed to be about you. It’s not supposed to be about your feelings. It’s not supposed to be a way of glorifying yourself at the expense of the folks you claim to be an ally to. It’s not supposed to be a performance. It’s supposed to be a way of living your life that doesn’t reinforce the same oppressive behaviors you’re claiming to be against. It’s supposed to be about you doing the following things:
1. shutting up and listening
2. educating yourself (you could start with the thousands of books and websites that already exist and are chock full of damn near everything anyone needs to know about most systems and practices of oppression)
3. when it’s time to talk, not talking over the people you claim to be in solidarity with
4. accepting feedback/criticism about how your “allyship” is causing more harm than good without whitesplaining/mansplaining/whateversplaining
5. shutting up and listening some more
6. supporting groups, projects, orgs, etc. run by and for marginalized people so our voices get to be the loudest on the issues that effect us
7. not expecting marginalized people to provide emotional labor for you”

No More “Allies” |


You can do it, it’s exciting… it’s understanding the universe and it’s being connected to the universe and making the world a better place.
- Candy Torres, Engineer.

What are you doing to celebrate the 45th anniversary of the Apollo 11 Moon Landing? Spend it with us at STEM Women, and a veteran woman engineer of the space program! In 8 hours, we’ll be talking with Candy Torres, a Puerto Rican engineer who went from being one of only 10 women in her astrophysics classes at Rutgers University, to getting a job at Princeton University to work on the Copernicus OAO-3C Satellite and later, as a software programmer for NASA.
Candy was a STEM trailblazer from an early age. She had a firm dream to join the space program, but she encountered much push-back from her family and friends in the Bronx, where she was born. Latina women were simply not meant to have a career in STEM, or so she was told, let alone dream of contributing to the space race.
At age 14, Candy joined the Civil Air Patrol and she was flying a plane before she could drive. She encountered sexism early on, however, when she learned that girl cadets were not allowed to participate in some training sessions. She tells CNN: “We were supposed to go find a businessman who was lost in the woods, but the girls were not allowed.” 
This attitude continued. At university in the 1970s, her classmates were less than welcoming of women. She tells CNN: “They were definitely not happy about having women in the class… I didn’t have any kind of support system. I didn’t get to know any of the other women, and the guys basically ignored me.”
Overcoming exclusion based on her gender and ethnicity, Candy would go on to use her computer programming skills to organise files for NASA. She later went on to work at Johnson Space Centre on software for the Space Shuttle as well as the International Space Station. She worked on various other space programs over the years, such as human factors.
Candy has been featured in various high-profile publications like The Atlantic, where she noted: "People don’t realize how many thousands of us worked on these programs… I loved being part of something big, and I knew that I had worked hard to be there." 
Candy has continued her work in recent years by educating the public on space history, and supporting the inclusion of minority women in space programs. She is passionate about encouraging Latino youth to pursue engineering and science. She tells Latino USA that her message to Latina and other minority women is about being passionate, curious and tenacious. 
Join us as we chat to Candy about her amazing journey through various space programs, and hear her advice for young girls and women who want to follow in her footsteps. We’ll be live on Sunday 20th July 2014 at 2.30 PM Pacific/ 10.30 PM UK or Monday 7.30 AM Australian EST. Check out our Event page for more details, including a link to our YouTube video if you want to catch up later. High-res

You can do it, it’s exciting… it’s understanding the universe and it’s being connected to the universe and making the world a better place.

- Candy Torres, Engineer.

What are you doing to celebrate the 45th anniversary of the Apollo 11 Moon Landing? Spend it with us at STEM Women, and a veteran woman engineer of the space program! In 8 hours, we’ll be talking with Candy Torres, a Puerto Rican engineer who went from being one of only 10 women in her astrophysics classes at Rutgers University, to getting a job at Princeton University to work on the Copernicus OAO-3C Satellite and later, as a software programmer for NASA.

Candy was a STEM trailblazer from an early age. She had a firm dream to join the space program, but she encountered much push-back from her family and friends in the Bronx, where she was born. Latina women were simply not meant to have a career in STEM, or so she was told, let alone dream of contributing to the space race.

At age 14, Candy joined the Civil Air Patrol and she was flying a plane before she could drive. She encountered sexism early on, however, when she learned that girl cadets were not allowed to participate in some training sessions. She tells CNN: “We were supposed to go find a businessman who was lost in the woods, but the girls were not allowed.” 

This attitude continued. At university in the 1970s, her classmates were less than welcoming of women. She tells CNN: “They were definitely not happy about having women in the class… I didn’t have any kind of support system. I didn’t get to know any of the other women, and the guys basically ignored me.”

Overcoming exclusion based on her gender and ethnicity, Candy would go on to use her computer programming skills to organise files for NASA. She later went on to work at Johnson Space Centre on software for the Space Shuttle as well as the International Space Station. She worked on various other space programs over the years, such as human factors.

Candy has been featured in various high-profile publications like The Atlantic, where she noted: "People don’t realize how many thousands of us worked on these programs… I loved being part of something big, and I knew that I had worked hard to be there." 

Candy has continued her work in recent years by educating the public on space history, and supporting the inclusion of minority women in space programs. She is passionate about encouraging Latino youth to pursue engineering and science. She tells Latino USA that her message to Latina and other minority women is about being passionate, curious and tenacious. 

Join us as we chat to Candy about her amazing journey through various space programs, and hear her advice for young girls and women who want to follow in her footsteps. We’ll be live on Sunday 20th July 2014 at 2.30 PM Pacific/ 10.30 PM UK or Monday 7.30 AM Australian EST. Check out our Event page for more details, including a link to our YouTube video if you want to catch up later.

My next instalment of the #SociologyOfTrolleys: There are many studies on why *online* shopping trolleys are abandoned (poor website design; lack of incentive or commitment by customers; and so on), there is little attention given to the reasons why people abandon shopping trolleys in everyday life. 

Researcher Franck Cochoy has done some research on how shopping trolleys shape shopping behaviour (for example, by visually representing the volume of our spending by virtue of how full our trolleys are). But this research does not examine abandoned carts.

Many people think that trolleys are abandoned because kids are using them to push each other around. As such wayward trolleys are often seen as an act of social deviance by young people. In my forthcoming posts I’ll look at how abandoned carts are policed both informally at the community level and more formally through rewards and penalties (it’s actually a lucrative business). The truth about shopping trolley “deviance” is less about youth and more about social class. 

#sociology #visualsociology #trolleys #shopping #shoppingcarts #shoppingtrolleys #youth #deviance #socialscience #class #society #culture High-res

My next instalment of the #SociologyOfTrolleys: There are many studies on why *online* shopping trolleys are abandoned (poor website design; lack of incentive or commitment by customers; and so on), there is little attention given to the reasons why people abandon shopping trolleys in everyday life.

Researcher Franck Cochoy has done some research on how shopping trolleys shape shopping behaviour (for example, by visually representing the volume of our spending by virtue of how full our trolleys are). But this research does not examine abandoned carts.

Many people think that trolleys are abandoned because kids are using them to push each other around. As such wayward trolleys are often seen as an act of social deviance by young people. In my forthcoming posts I’ll look at how abandoned carts are policed both informally at the community level and more formally through rewards and penalties (it’s actually a lucrative business). The truth about shopping trolley “deviance” is less about youth and more about social class.

#sociology #visualsociology #trolleys #shopping #shoppingcarts #shoppingtrolleys #youth #deviance #socialscience #class #society #culture

antipodeans:

Paddy Jupurrurla Nelson (Warlpiri people, Australia 1919 – 1999), Paddy Japaljarri Sims (Warlpiri people, Australia 1917 – 2010), Kwentwentjay Jungurrayi Spencer (Warlpiri people, Australia 1919 – 1990), Yanjilypiri Jukurrpa (Star Dreaming), 1985. Painting, synthetic polymer paint on canvas.
Yuendumu, Western Desert, Northern Territory, Australia.
Via National Gallery of Australia

antipodeans:

Paddy Jupurrurla Nelson (Warlpiri people, Australia 1919 – 1999), Paddy Japaljarri Sims (Warlpiri people, Australia 1917 – 2010), Kwentwentjay Jungurrayi Spencer (Warlpiri people, Australia 1919 – 1990), Yanjilypiri Jukurrpa (Star Dreaming), 1985.

Painting, synthetic polymer paint on canvas.

Yuendumu, Western Desert, Northern Territory, Australia.

Via National Gallery of Australia

antipodeans:

Florence Ada Fuller, Barak, 1885. 
Oil on academy board.
Barak was an important Indigenous artist and activist who worked mostly during the 1880s and 1890s. His paintings and artefacts (spears, shields, clubs and so on) focus on spiritual ceremonies. Culture Victoria has a video discussing Barak’s artistic, cultural and historical significance:

William Barak was a Ngurungaeta for the Wurundjeri people and that means Clan leader. He spent the latter part of his years on Coranderrk Reserve, which was from 1863 to 1903, where he became a prominent figure in the struggle for Aboriginal rights, and particularly the rights of his people on Coranderrk Reserve …
 The Barak artefacts and painting in the Collection are quite significant to us because of who Barak was as a person but also because we don’t have very many items that date back to the late 1800s we can attribute to a specific individual, so for that reason these items are very important to the Trust and very significant to the community.

(via Culture Victoria - Barak)
High-res

antipodeans:

Florence Ada Fuller, Barak, 1885. 

Oil on academy board.

Barak was an important Indigenous artist and activist who worked mostly during the 1880s and 1890s. His paintings and artefacts (spears, shields, clubs and so on) focus on spiritual ceremonies. Culture Victoria has a video discussing Barak’s artistic, cultural and historical significance:

William Barak was a Ngurungaeta for the Wurundjeri people and that means Clan leader. He spent the latter part of his years on Coranderrk Reserve, which was from 1863 to 1903, where he became a prominent figure in the struggle for Aboriginal rights, and particularly the rights of his people on Coranderrk Reserve …

 The Barak artefacts and painting in the Collection are quite significant to us because of who Barak was as a person but also because we don’t have very many items that date back to the late 1800s we can attribute to a specific individual, so for that reason these items are very important to the Trust and very significant to the community.

(via Culture Victoria - Barak)

NAIDOC Week began as a celebration by the National Aborigines and Islanders Day Observance Committee, to recognise ”the history, culture and achievements of Aboriginal and Torres Strait Islander peoples.” The NAIDOC tradition stretches back to the 1920s when Indigenous Australian activists protested Australia Day, both due to its colonial history and ongoing discrimination. Indigenous people did not get full rights to vote until 1962 in most states, with Queensland being the last state to grant this right in 1965. Two years later, the Australian referendum amended the Constitution to finally grant Indigenous people citizenship.

The first NADOC Day was held in 1974

This year, NAIDOC began on the 6th of July and ends on the 13th of July. This year’s theme is, Serving Country: Centenary & Beyond. Events will commemorate the Aboriginal and Torres Strait Islander people who have served in Australia’s Defence Forces.

Explore the local events in your area.

Learn more

  • Sociology of Indigenous Australians: the historical, health and economic issues that impact the educational outcomes of Indigenous youth (on my research blog)
  • Other socio-political issues facing Indigenous Australians (on my Tumblr)
  • Indigenous art (on my art blog Antipodeans).

Art Credit: NAIDOC website.

lightspeedsound:

"I don’t have an asian fetish I just happen to find asian people attractive"

NO.

"ASIAN" IS NOT A PHYSICAL CHARACTERISTIC 

"ASIAN" IS NOT A PHYSICAL CHARACTERISTIC 

"ASIAN" IS NOT A PHYSICAL CHARACTERISTIC 

"ASIAN" IS NOT A PHYSICAL CHARACTERISTIC 

"ASIAN" IS NOT A PHYSICAL CHARACTERISTIC 

"ASIAN" IS NOT A PHYSICAL CHARACTERISTIC 

"ASIAN"

image

IS

image

NOT

image

A

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PHYSICAL

image

CHARACTERISTIC

image

IT IS IMPOSSIBLE TO “LOOK ASIAN” BECAUSE WE DO NOT ALL LOOK ALIKE

IT IS IMPOSSIBLE TO “LOOK ASIAN” BECAUSE WE DO NOT ALL LOOK ALIKE

IT IS IMPOSSIBLE TO “LOOK ASIAN” BECAUSE WE DO NOT ALL LOOK ALIKE

IT IS IMPOSSIBLE TO “LOOK ASIAN” BECAUSE WE DO NOT ALL LOOK ALIKE

IT IS IMPOSSIBLE TO “LOOK ASIAN” BECAUSE WE DO NOT ALL LOOK ALIKE

IT IS IMPOSSIBLE TO “LOOK ASIAN” BECAUSE WE DO NOT ALL LOOK ALIKE

IT 

image

IS

image

IMPOSSIBLE

image

TO

image

"LOOK"

image

"ASIAN"

image

BECAUSE

image

WE

image

DO

image

NOT

image

ALL

image

LOOK

image

ALIKE

image

antipodeans:

Shaun Gladwell, Black Digger.
This won the $50,000 Shirley Hannan National Portrait Award. The diptych shows Meyne Wyatt in character for the play, Black Diggers. The play was a co-production between Queensland Theatre Company and Sydney Festival. The play explores the contribution Aboriginal soldiers made to Australian history, from the WWI battlefields of Gallipoli, to Palestine to Flanders.
Dr Sarah Engledow, the historian at the National Portrait Gallery in Canberra who judged the contest said the portrait was

the one that sustained my interest, aesthetically and sympathetically… I was moved by the restraint of the work, its gentleness, and the effect of its miniscule differences.

Image and information: Ampag.
High-res

antipodeans:

Shaun Gladwell, Black Digger.

This won the $50,000 Shirley Hannan National Portrait Award. The diptych shows Meyne Wyatt in character for the play, Black Diggers. The play was a co-production between Queensland Theatre Company and Sydney Festival. The play explores the contribution Aboriginal soldiers made to Australian history, from the WWI battlefields of Gallipoli, to Palestine to Flanders.

Dr Sarah Engledow, the historian at the National Portrait Gallery in Canberra who judged the contest said the portrait was

the one that sustained my interest, aesthetically and sympathetically… I was moved by the restraint of the work, its gentleness, and the effect of its miniscule differences.

Image and information: Ampag.

American comedian Hari Kondabolu has a Bachelor degree in Comparative Politics and a Masters degree in Human Rights from the London School of Economics. His thesis focused on Mexican migrants and their rights under the UN Guiding Principles on Internal Displacement. He was also a human rights activist in Seattle. His comedy offers hilarious and biting social commentary. He recently appeared on Conan. He began by saying: “I would like you all to know that the theme of my set tonight will be colonialism. Which is why I’m speaking only in English.” He ends with a funny and clever chess allegory!

[TW: Sexual Assault, rape culture, victim blaming]

His lips crushed mine, stopping my protest. He kissed me angrily, roughly, his other hand gripping tight around the back of my neck, making escape impossible. I shoved against his chest with all my strength, but he didn’t even seem to notice. His mouth was soft, despite the anger, his lips molding to mine in a warm, unfamiliar way.

I grabbed at his face, trying to push it away, failing again. He seemed to notice this time, though, and it aggravated him. His lips forced mine open, and I could feel his hot breath in my mouth.

Acting on instinct, I let my hands drop to my side, and shut down. I opened my eyes and didn’t fight, didn’t feel… just waited for him to stop.

Twilight: Eclipse p. 331 (Bella and Jacob’s first kiss)

This is rape culture.

Young women are taught to think of this passage - which describes sexual assault - as erotic. Young men are taught to force their will on young women, regardless of any (non)verbal cues, because sex is conquest and women are objects - not something to be done between two consenting individuals because it’s pleasurable for both people.


The most frightening thing about this excerpt is that many survivors of sexual assault who have disclosed to me describe stories that sound exactly like this one.

(via profeministbro)

tumblr user clockward submitted this to us. read at your leisure.

(via robert-pattinson-hates-his-life)

Vomiting everywhere

(via arilyn-anson Well shit, i didn’t know it was this bad. Wow. (via fuckthacistem)

The lines before that:

    He still had my chin—his fingers holding too tight, till it hurt—and I saw the resolve form abruptly in his eyes.
    “N—-” I started to object, but it was too late.

And after he assaulted her she punched him in the face but due to his “super human strength” she broke her hand, said “Don’t touch me!” and then:

    “Just let me drive you home,” Jacob insisted. Unbelievably, he had the nerve to wrap his arm around my waist.

    I jerked away from him.

And then:

    When he got in the driver’s side, he was whistling.

AND THEN while he was driving:

    “…There is so much I can give you that he can’t. I’ll bet he couldn’t even kiss you like that—-because he would hurt you. I would never, never hurt you, Bella.”

    I held up my injured hand.

    He sighed. “That wasn’t my fault. You should have known better.”

And then:

    He grinned over at me. “You kissed me back.”

    I gasped, unthinkingly balling my hands up into fists again, hissing when my broken hand reacted.

    “Are you okay?” he asked. 

     “I did not.”

    “I think I can tell the difference.”

    “Obviously you can’t——that was not kissing back, that was trying to get you the hell off me, you idi*t.”

    He laughed a low, throaty laugh. “Touchy. Almost overly defensive, I would say.

    I took a deep breath. There was no point in arguing with him; he would twist anything I said.

Then when she gets home, to where her father, Charlie, the police officer, is:

    “Why did she hit you?”

    “Because I kissed her,” Jacob said, unashamed.

    “Good for you, kid,” Charlie congratulated him.

(via wejustkeepswimming)

I didn’t read the citation first. I read the quote. I thought I was reading a woman’s account of how she was about to be raped, not a fucking passage from a romance novel. 

(via karenfelloutofbedagain)

This is astonishing. And I am almost never astonished by rape culture anymore.

(via malcolmjamalwarlock)

(via malcolmjamalwarlock)

feministsoccupyhalloween:

girlsgetbusyzine:

“Shit Men Say to Men Who Say Shit to Women on the Street” was inspired by International Anti-Street Harassment Week.

It was created by a group of women and men in NYC who believe that street harassment is wrong, and that we all have a role to play in ending it - especially us guys.

The video shows non-violent some ways that men can interrupt street harassment as it happens. (And it happens all the time. Seriously. Go check. We will wait.)

Join us by sharing this video. And the next time you witness street harassment - and you will - say some shit. Please.

For more information on this video, email: pleasestopnyc@gmail.com

I love these guys.

(via fuckyeahfeminists)